Baby SnuffMuffin (Prolapsed Coaxial)

This short uses music by Figment topology.
The music was remixed using the surround panner in Sony Vegas Ten.
The Photography and Editing  by Soraxtm

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Baby SnuffMuffin (Prolapsed Coaxial)

Making Films Again–Baby Steps


Well today I decided to make a film that would incorporate my HDR photography. For a few months now I have been taking a walk every day on a path which goes over a small pedestrian bridge. From the bridge on can see a beaver dam. A few days ago I set my camera on the bridge in a particular spot and marked it by scraping away at the metal railing with a little screwdriver. This gave my a spot to go back to on different days and take photo’s of the same scene. So that day I took multiple exposures and combined them to make a HDR(High Dynamic Range) photo. This is the photo that appears at the beginning and the end of my film. Today i went back down to the bridge and shot some video of the same scene. I used that “footage” to create the middle of the film and also captured the ambient noises which you hear on the soundtrack. I used an editing program Vegas Sony to put it all together and then I uploaded it and now you can see it. I also made a time-lapse film of the same scene but i had to upload that separately as the program i make those with isn’t compatible with the one i made the film with..Darn. It’s feels strange to begin working on making films again. I look back on the films I created last year and I can see how inspired I was. I can’t believe I could ever have created those things. But back then I never made a connection with any kind of audience so when I broke down there wasn’t any community around me to really notice. I’m not sure I’ll ever be able to do that kind of thing again. Today when I was working on my films I felt that i entered the same kind of head space or zone that I had in the past but man am I stressed. I feel like i’m ready to explode all the time. I’ve been taking all this new medication so maybe it’s just some side effects that will go away. So maybe eventually, slowly i can get back up on my proverbial feet and start creating stuff I’m proud of. Maybe my head will come back online. I can’t shake the feeling that I used to be able to think better. Or maybe i was just that I was able to maintain a different attitude. The kind of attitude that made me feel like It did not matter what people thought. That I would eventually find some kind of audience, That what I was doing had some kind of intrinsic worth, that even if I died alone and was forgotten at least i made some things that were great and if no one recognized that it was their loss.

Making Films Again–Baby Steps

Art Exhibition:Reticulated Anthropogenesis

This is a collection of information copied from the wikipedia interspersed with some Psychedelic Photographic art pieces.

But first Here is an original  poem Inspired By Salvia Divornium  Followed By a Link to a Short Film

Ok let’s get up I’ll just get the over by this gotta get the
keys are over near the OK NOW i’ll just get out of this.
Wait! Ok I’m sitting here in the car and I have the lighter
and my wallet and I ‘m just gonna get my coat and I’ll be
I am  I’m getting out of the
wait did I just drop
I’m getting out of the car

and here I’m getting out of the car
I’ll just be getting out of the
and there
oh here go the feet
Ah I can breath
I’m getting out of this
I can feel the other thing
coming over the top but It’s not

wait I’m getting out
I’ll just swing my way up out of the car
ah I can breath again
getting out
this is the thing isn’t it
here we go getting out
Hey look
I’m over here I’m getting out
just like you

we all get out
getting out of the car I’m
there see
there
it was
ah I can breath
I’m getting
got out
wow ah
breath deep
now they are all up
all up all over
we got out up
swung right up and popped down here
right next to this car

we all get up
swing
right next to the car see
ah what a deep breath and we swung right up

Short Film FIgment Topology OriFrom !!!!avi

Machine elves (also known as fractal elvesself-transforming elf machines) is a term coined by the late ethnobotanist, writer and philosopher Terence McKenna to describe the apparent entities that are often reported by individuals usingtryptamine-based psychedelic drugs, especially DMT.[1] References to such encounters can be found in many cultures ranging from shamanic traditions of Native Americans to indigenous Australians and African tribes, as well as amongWestern users of these substances.[2]

From Reticulated Anthropogenesis

This concept may be related to a tendency for the brain to imagine living entities during certain altered states[citation needed]. The best example of this is the extremely common feeling of a living presence during sleep paralysis (which has been theorized as the origin of the succubus, as well as a common theme in many alien abduction stories). However, Terence McKenna and Dr. Rick Strassman have both asserted the sense of reality of the experience is distinct from ordinary hallucinatory experiences, leading both researchers to speculate that perhaps the physics of many worlds is involved.[1]Jacques Vallee has proposed that the entities met may be of an interdimensional nature in his interdimensional hypothesis.

From Reticulated Anthropogenesis

James Kent has put forth a different explanation for machine elves.[3] Kent postulates that the DMT landscape is simply disrupting or “editing” our processing of visual information and causing a chaotic interpretation of it inspired by hyperactivephosphene activity. The brain may fill in the blanks and since we all have an affinity for anthropomorphic things, a humanoid entity may appear out of all this chaos. Our “imaginal workplace” will take the center stage in brain activity, allowing internal data to be interpreted as external stimuli.

When reflecting upon his mescaline experiences Aldous Huxley suggested that there was something, which he called Mind at Large, which was filtered by the ordinary functioning of the human brain to produce ordinary experience. [4]

From Reticulated Anthropogenesis

At about minute one or two of a DMT trip, according to McKenna, one may burst through a chrysanthemum-like mandala, and find:

There’s a whole bunch of entities waiting on the other side, saying “How wonderful that you’re here! You come so rarely! We’re so delighted to see you!”

They’re like jewelled self-dribbling basketballs and there are many of them and they come pounding toward you and they will stop in front of you and vibrate, but then they do a very disconcerting thing, which is they jump into your body and then they jump back out again and the whole thing is going on in a high-speed mode where you’re being presented with thousands of details per second and you can’t get a hold on [them …] and these things are saying “Don’t give in to astonishment”, which is exactly what you want to do. You want to go nuts with how crazy this is, and they say “Don’t do that. Pay attention to what we’re doing”.

What they’re doing is making objects with their voices, singing structures into existence. They offer things to you, saying “Look at this! Look at this!” and as your attention goes towards these objects you realise that what you’re being shown is impossible. It’s not simply intricate, beautiful and hard to manufacture, it’s impossible to make these things. The nearest analogy would be the Fabergé eggs, but these things are like the toys that are scattered around the nursery inside a U.F.O., celestial toys, and the toys themselves appear to be somehow alive and can sing other objects into existence, so what’s happening is this proliferation of elf gifts, which are moving around singing, and they are saying “Do what we are doing” and they are very insistent, and they say “Do it! Do it! Do it!” and you feel like a bubble inside your body beginning to move up toward your mouth, and when it comes out it isn’t sound, it’s vision. You discover that you can pump “stuff” out of your mouth by singing, and they’re urging you to do this. They say “That’s it! That’s it! Keep doing it!”.

We’re now at minute 4.5 [of the trip] and you speak in a kind of glossolalia. There is a spontaneous outpouring of syntax unaccompanied by what is normally called “meaning”. After a minute or so of this the whole thing begins to collapse in on itself and they begin to physically move away from you. Usually their final shot is that they wave goodbye and say “Deja vu! Deja vu!”.

From Reticulated Anthropogenesis

The term psychedelic is derived from the Greek words ψυχή (psyche, “mind”) and δηλείν (delein, “to manifest”), hence “mind-manifesting”, the implication being that psychedelics can access and develop unused potentials of the human mind.[1] The word was coined by Humphrey Osmond, loathed by Richard Schultes, but championed by Timothy Leary.[2]

From Reticulated Anthropogenesis

The word psychedelic (From Ancient Greek ψυχή (psychê) mind, soulδηλος (dêlos)manifest, reveal + -ic) was coined to express the idea of a drug that makes manifest a hidden but real aspect of the mind. It is commonly applied to any drug with perception-altering effects such as LSDpsilocybinDMT2C-Bmescaline and DOB as well as a panoply of othertryptaminesphenethylamines and yet more exotic chemicals.

The term “psychedelic” is used interchangeably with “psychotomimetic” and “hallucinogen”,[4]thus it can refer to a large number of drugs such as classical hallucinogens (LSDpsilocybin,mescaline, etc.), entactogens (e.g. MDMA), cannabinoids and dissociative drugs (e.g.ketamine). The classical hallucinogens are considered to be the representative psychedelics and LSD is generally considered the prototypical psychedelic.[4] In order to refer to the LSD-like psychedelics, scientific authors have used the term “classical hallucinogen” in the sense defined by Glennon (1999): “The classical hallucinogens are agents that meet Hollister’s original definition, but are also agents that: (a) bind at 5-HT2 serotonin receptors, and (b) are recognized by animals trained to discriminate 1-(2,5-dimethoxy-4-methylphenyl)-2-aminopropane (DOM) from vehicle.[5] Otherwise, when the term “psychedelic” is used to refer only to the LSD-like psychedelics (a.k.a. the classical hallucinogens), authors explicitly point that they intend “psychedelic” to be understood according to this more restrictive interpretation (e.g. see Nichols, 2004).[6]

Common herbal and fungal sources of psychedelics include psilocybe mushrooms (largely psilocybe cubensis), variousayahuasca preparations, peyote, Peruvian Torch, and San Pedro cactus.

One explanatory model for the experiences provoked by hallucinogens is the “reducing valve” concept, first articulated inAldous Huxley‘s book The Doors of Perception.[7] In this view, the drugs disable the brain’s “filtering” ability to selectively prevent certain perceptions, emotions, memories and thoughts from ever reaching the conscious mind. This effect has been described as mind expanding, or consciousness expanding, for the drug “expands” the realm of experience available to conscious awareness.[citation needed]

Psychedelic effects can vary depending on the precise drug and dosage, as well as the set and setting. “Trips” range between the short but intense effects of intravenous DMT to the protracted ibogaine experience, which can last for days. Appropriate dosage ranges from extremely low (LSD) to rather high (mescaline). Some drugs, like the auditory hallucinogenDiPT, act specifically to distort a single sense, and others have more diffuse effects on cognition generally. Some are more conducive to solitary experiences, while others are positively empathogenic.

Though the natural drugs have a long history of use and usually have an extensive study profile aside from the mortality rates of the drugs, in recent times there has been large production of hundreds of virtually unstudied psychedelics (JWH-018CP 47,497DPTTFMPP2C-T-72C-HMethyloneN-Methyl-N-isopropyltryptamine (MIPT), and AL-LAD to name a few) that may be potentially harmful. This is especially the case with the designer drugs in the psychedelic-amphetamine class. Because of this factor, one should not make the generalization that all psychedelics can not be potentially harmful at normal doses.

From Reticulated Anthropogenesis

Hallucinogenic substances are among the oldest drugs used by human kind, as hallucinogenic substances naturally occur inmushroomscacti and a variety of other plants. Numerous cultures worldwide have endorsed the use of hallucinogens in medicine, religion and recreation, to varying extents, while some cultures have regulated or outright prohibited their use. In most developed countries today, the possession of many hallucinogens, even those found commonly in nature, is considered a crime punishable by fines, imprisonment or even death. In some countries, such as the United States and theNetherlands, partial deference may be granted to traditional religious use by members of indigenous ethnic minorities such as the Native American Church and the Santo Daime Church. Recently the União do Vegetal, a Christian-based religious sect whose composition is not primarily ethnicity-based, won a United States Supreme Court decision authorizing its use ofayahuasca.

From Freaky
Art Exhibition:Reticulated Anthropogenesis

Thirteen Photographic Considerations Of The Back Yard

From Backyard
From Backyard
From Backyard
From Backyard
From Backyard
From Backyard
From Backyard
From Backyard
From Backyard
From Backyard
From Backyard
From backyard
From bulkr
Thirteen Photographic Considerations Of The Back Yard

the scaled eyeball owns the mystic rod

“To throb the secret forth; a touch divine—

And the scaled eyeball owns the mystic rod;

Visibly through his garden walketh God.”

Robert Browning

From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
From Eyes
the scaled eyeball owns the mystic rod