“And Not You” A Film By sorax


 

And Not You

All still and moving Photography By soraxtm (sorax)

All Music By Figment Topology (soraxtm (sorax))

All Editing by soraxtm (sorax)

Spoken Word Samples

1.”….Contract and secrete….” From a Physiology Lecture by Dr. Gerald Cizadlo (Dr. C)

2.  “We could wish to be moral, we could wish to be philosophically comforted, in fact, we could will these things with all our might, but the needed power wasn’t there. Our human resources, as marshalled by the will, were not sufficient; they failed utterly”..The Big Book (Alcoholics Anonymous)p.45, We Agnostics

4.”As long as we could believe with Descartes that if we knew something clearly and distinctly, we knew it, we were okay.” Rick Roderick From The Self Under Siege: Philosophy in the 20th Century (1993)  lecture one “The Masters Of Suspicion”. 5.”That’s the problem of false consciousness. That’s why it’s severe. It’s you could be absolutely clear you have no doubt, and it could be a pure abstract cultural mechanism, and not you… and not you” Rick Roderick From The Self Under Siege: Philosophy in the 20th Century (1993)  lecture one “The Masters Of Suspicion”

The Kingdom Of Ends (New Short Film)

The Kingdom Of Ends
A Tangential Ecology
Original Production.
Directed By SoraxTm
Soundtrack By Figment Topology
Photography By Maurice Arthur FitzGerald
Public Domain Audio From Alessandro Moreschi
recorded in 1904
Fair Use Audio Clips of
Rick Roderick
William Blake (Poem By)
Ernest Becker (form His Book The Denial Of Death)
Bill Wilson Et Al. From The Big Book of Alcoholics Anonymous
Tea Party Demonstration DSLR Video
Provided By Maurice Arthur FitzGerald
Title From Immanuel Kant

Art Exhibition:Reticulated Anthropogenesis

This is a collection of information copied from the wikipedia interspersed with some Psychedelic Photographic art pieces.

But first Here is an original  poem Inspired By Salvia Divornium  Followed By a Link to a Short Film

Ok let’s get up I’ll just get the over by this gotta get the
keys are over near the OK NOW i’ll just get out of this.
Wait! Ok I’m sitting here in the car and I have the lighter
and my wallet and I ‘m just gonna get my coat and I’ll be
I am  I’m getting out of the
wait did I just drop
I’m getting out of the car

and here I’m getting out of the car
I’ll just be getting out of the
and there
oh here go the feet
Ah I can breath
I’m getting out of this
I can feel the other thing
coming over the top but It’s not

wait I’m getting out
I’ll just swing my way up out of the car
ah I can breath again
getting out
this is the thing isn’t it
here we go getting out
Hey look
I’m over here I’m getting out
just like you

we all get out
getting out of the car I’m
there see
there
it was
ah I can breath
I’m getting
got out
wow ah
breath deep
now they are all up
all up all over
we got out up
swung right up and popped down here
right next to this car

we all get up
swing
right next to the car see
ah what a deep breath and we swung right up

Short Film FIgment Topology OriFrom !!!!avi

Machine elves (also known as fractal elvesself-transforming elf machines) is a term coined by the late ethnobotanist, writer and philosopher Terence McKenna to describe the apparent entities that are often reported by individuals usingtryptamine-based psychedelic drugs, especially DMT.[1] References to such encounters can be found in many cultures ranging from shamanic traditions of Native Americans to indigenous Australians and African tribes, as well as amongWestern users of these substances.[2]

From Reticulated Anthropogenesis

This concept may be related to a tendency for the brain to imagine living entities during certain altered states[citation needed]. The best example of this is the extremely common feeling of a living presence during sleep paralysis (which has been theorized as the origin of the succubus, as well as a common theme in many alien abduction stories). However, Terence McKenna and Dr. Rick Strassman have both asserted the sense of reality of the experience is distinct from ordinary hallucinatory experiences, leading both researchers to speculate that perhaps the physics of many worlds is involved.[1]Jacques Vallee has proposed that the entities met may be of an interdimensional nature in his interdimensional hypothesis.

From Reticulated Anthropogenesis

James Kent has put forth a different explanation for machine elves.[3] Kent postulates that the DMT landscape is simply disrupting or “editing” our processing of visual information and causing a chaotic interpretation of it inspired by hyperactivephosphene activity. The brain may fill in the blanks and since we all have an affinity for anthropomorphic things, a humanoid entity may appear out of all this chaos. Our “imaginal workplace” will take the center stage in brain activity, allowing internal data to be interpreted as external stimuli.

When reflecting upon his mescaline experiences Aldous Huxley suggested that there was something, which he called Mind at Large, which was filtered by the ordinary functioning of the human brain to produce ordinary experience. [4]

From Reticulated Anthropogenesis

At about minute one or two of a DMT trip, according to McKenna, one may burst through a chrysanthemum-like mandala, and find:

There’s a whole bunch of entities waiting on the other side, saying “How wonderful that you’re here! You come so rarely! We’re so delighted to see you!”

They’re like jewelled self-dribbling basketballs and there are many of them and they come pounding toward you and they will stop in front of you and vibrate, but then they do a very disconcerting thing, which is they jump into your body and then they jump back out again and the whole thing is going on in a high-speed mode where you’re being presented with thousands of details per second and you can’t get a hold on [them …] and these things are saying “Don’t give in to astonishment”, which is exactly what you want to do. You want to go nuts with how crazy this is, and they say “Don’t do that. Pay attention to what we’re doing”.

What they’re doing is making objects with their voices, singing structures into existence. They offer things to you, saying “Look at this! Look at this!” and as your attention goes towards these objects you realise that what you’re being shown is impossible. It’s not simply intricate, beautiful and hard to manufacture, it’s impossible to make these things. The nearest analogy would be the Fabergé eggs, but these things are like the toys that are scattered around the nursery inside a U.F.O., celestial toys, and the toys themselves appear to be somehow alive and can sing other objects into existence, so what’s happening is this proliferation of elf gifts, which are moving around singing, and they are saying “Do what we are doing” and they are very insistent, and they say “Do it! Do it! Do it!” and you feel like a bubble inside your body beginning to move up toward your mouth, and when it comes out it isn’t sound, it’s vision. You discover that you can pump “stuff” out of your mouth by singing, and they’re urging you to do this. They say “That’s it! That’s it! Keep doing it!”.

We’re now at minute 4.5 [of the trip] and you speak in a kind of glossolalia. There is a spontaneous outpouring of syntax unaccompanied by what is normally called “meaning”. After a minute or so of this the whole thing begins to collapse in on itself and they begin to physically move away from you. Usually their final shot is that they wave goodbye and say “Deja vu! Deja vu!”.

From Reticulated Anthropogenesis

The term psychedelic is derived from the Greek words ψυχή (psyche, “mind”) and δηλείν (delein, “to manifest”), hence “mind-manifesting”, the implication being that psychedelics can access and develop unused potentials of the human mind.[1] The word was coined by Humphrey Osmond, loathed by Richard Schultes, but championed by Timothy Leary.[2]

From Reticulated Anthropogenesis

The word psychedelic (From Ancient Greek ψυχή (psychê) mind, soulδηλος (dêlos)manifest, reveal + -ic) was coined to express the idea of a drug that makes manifest a hidden but real aspect of the mind. It is commonly applied to any drug with perception-altering effects such as LSDpsilocybinDMT2C-Bmescaline and DOB as well as a panoply of othertryptaminesphenethylamines and yet more exotic chemicals.

The term “psychedelic” is used interchangeably with “psychotomimetic” and “hallucinogen”,[4]thus it can refer to a large number of drugs such as classical hallucinogens (LSDpsilocybin,mescaline, etc.), entactogens (e.g. MDMA), cannabinoids and dissociative drugs (e.g.ketamine). The classical hallucinogens are considered to be the representative psychedelics and LSD is generally considered the prototypical psychedelic.[4] In order to refer to the LSD-like psychedelics, scientific authors have used the term “classical hallucinogen” in the sense defined by Glennon (1999): “The classical hallucinogens are agents that meet Hollister’s original definition, but are also agents that: (a) bind at 5-HT2 serotonin receptors, and (b) are recognized by animals trained to discriminate 1-(2,5-dimethoxy-4-methylphenyl)-2-aminopropane (DOM) from vehicle.[5] Otherwise, when the term “psychedelic” is used to refer only to the LSD-like psychedelics (a.k.a. the classical hallucinogens), authors explicitly point that they intend “psychedelic” to be understood according to this more restrictive interpretation (e.g. see Nichols, 2004).[6]

Common herbal and fungal sources of psychedelics include psilocybe mushrooms (largely psilocybe cubensis), variousayahuasca preparations, peyote, Peruvian Torch, and San Pedro cactus.

One explanatory model for the experiences provoked by hallucinogens is the “reducing valve” concept, first articulated inAldous Huxley‘s book The Doors of Perception.[7] In this view, the drugs disable the brain’s “filtering” ability to selectively prevent certain perceptions, emotions, memories and thoughts from ever reaching the conscious mind. This effect has been described as mind expanding, or consciousness expanding, for the drug “expands” the realm of experience available to conscious awareness.[citation needed]

Psychedelic effects can vary depending on the precise drug and dosage, as well as the set and setting. “Trips” range between the short but intense effects of intravenous DMT to the protracted ibogaine experience, which can last for days. Appropriate dosage ranges from extremely low (LSD) to rather high (mescaline). Some drugs, like the auditory hallucinogenDiPT, act specifically to distort a single sense, and others have more diffuse effects on cognition generally. Some are more conducive to solitary experiences, while others are positively empathogenic.

Though the natural drugs have a long history of use and usually have an extensive study profile aside from the mortality rates of the drugs, in recent times there has been large production of hundreds of virtually unstudied psychedelics (JWH-018CP 47,497DPTTFMPP2C-T-72C-HMethyloneN-Methyl-N-isopropyltryptamine (MIPT), and AL-LAD to name a few) that may be potentially harmful. This is especially the case with the designer drugs in the psychedelic-amphetamine class. Because of this factor, one should not make the generalization that all psychedelics can not be potentially harmful at normal doses.

From Reticulated Anthropogenesis

Hallucinogenic substances are among the oldest drugs used by human kind, as hallucinogenic substances naturally occur inmushroomscacti and a variety of other plants. Numerous cultures worldwide have endorsed the use of hallucinogens in medicine, religion and recreation, to varying extents, while some cultures have regulated or outright prohibited their use. In most developed countries today, the possession of many hallucinogens, even those found commonly in nature, is considered a crime punishable by fines, imprisonment or even death. In some countries, such as the United States and theNetherlands, partial deference may be granted to traditional religious use by members of indigenous ethnic minorities such as the Native American Church and the Santo Daime Church. Recently the União do Vegetal, a Christian-based religious sect whose composition is not primarily ethnicity-based, won a United States Supreme Court decision authorizing its use ofayahuasca.

From Freaky

27 Photographic Considerations of My Front Yard

From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From !!!!!!!!!!!!!!!
From !!!!!!!!!!!!!!!
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.
From Blue Dot Contextual Glosses LLC.

I’m On My Way……..Out

Nope i certainly don’t know what I’m doing. I tried out the “Non-linear” video editor Edius 5 and found that just like the Pinnacle Studio 14 Hd it proved to be much to frustrating and cryptic to deal with. Perhaps Sony Vegas has spoiled it for me but that program seems so intuitive. It’s just so easy to drag and drop music and sound, still and motion pictures all in a a program that doesn’t tax my system. Perhaps this is why most films really suck. It’s just to technical. I can’t imagine Proust or Kafka wasting their time setting type or making paper. I guess I have a theory about art that doesn’t stress technique. I mean it’s all technique in a way but the striving for technical polish destroys the creation. A good example is rock music. Technically great musicians don’t make compelling music they make impressive music. A Micheal Bay or a Tony Scott film may look nice but since the creator’s purpose is to impress it ends up just being a pointless exercise. Of course I’ve certainly seen the other side of it where some high concept “arteest” who has nothing to say just jumbles some crap together and gets a patron. I wonder how deep these artists actually are? How can people without any curiosity, raised on mass media actually say anything worth hearing. But that’s probably too harsh I mean I love a cartoon like the Family Guy because it seems honest somehow. In the end it’s vapid and pointless but at the same time it brings all the other mass media schtick into perspective. That’s why it’s so great but at the same time it is just pointing out how little compelling “entertainment” there is available. One more thing…We live In New Times… I can freely listen to all this highbrow stuff without succumbing to any rote paths. I can combine anything I want, I have all the capabilities at my fingertips to create a new cinema with the depth of great literature. This is the kind of thing that will never be done by large groups of people with “careers” in art. It will only come from those who somehow comfortably exist outside of these straitjackets. If your the kind of person who thinks that NPR or PBS is in anyway intelligent or interesting you just are not there yet. At some point I thought that too but it was a mistake and if you don’t get out soon you will find your self dying in a tiny little world which you could have transcended if only you had the courage , anger or depression to see what you were actually involved in. It’s all too much to talk about. I can feel this line of thought begin to fray. I’ve spent the last few years not looking at TV except for the Cartoons and since what’s on TV is their major subject I am beginning to lose the references. Personally I like to surround myself with philosophy lectures and audiobooks. Since these things can be obtained for free I just play them in the back round all day long. Hubert Dreyfus, Rick Roderick, Robert Solomon and Slavoj Žižek have hundreds and hundreds of hours of audio and video available that actually takes your head out of your ass. This kind of serious thought is much more fun to engage and there is absolutely none of it on the mass media. It’s strange just how many hours of crap is produced every year and there is not one show or documentary or drama with anything even approaching the kinds of viewpoints and Ideas that are talked about in all of these guys lectures. Of course listening to it is not something anyone who has a vested interest in the current culture could do without destroying their opinion of the life they have led, especially if they have a good job or some religious prejudice. However the vastness of the space opened up by them makes the current tiny little worlds most people live in seem like a complete waste. One quick example would be a person who has spent their life espousing fiscal responsibility and good honest hard work. The don’t make waves and they are really dedicated to their work. What happens to a person like that? Well in today’s culture they end up alone in a nursing home wondering what exactly it is they accomplished. Perhaps they were a banker who finally realizes that all the money they manipulated suddenly dissappeared before their eyes or maybe they are a minister who despite their best efforts was only able to pretend to believed in God all the while actually living in fear. Someone who spends their life working retail or food service don’t actually accomplish as much in their whole lives as a construction worker, nurses aid or garbage man does everyday. These phantom worlds are the province of the vast majority of people. Philosophy and actual art challenges a person to drop out of this society because it does not go anywhere and it never will. The mass Media is a huge consensual penal colony. Ok now I forgot what I was talking about. Oh yeah. I want to use Sony Vegas but I screwed up the installation and I need to reinstall my operating system before I can use it. I also need to figure out how to use the Quick-time .mov format in it since that’s what the canon 7d put’s out. I wait to get this tripod it’s made of aluminum and can hold 11 pounds!! I also have a flash coming and a 16 gig flash card but the most important thing is a wide angle lens which is really hard to come by with the APS-C sensored camera’s( i had to get a Canon EF-S 18-55mm f/3.5-5.6 IS SLR Lens) unless your willing to spend quite a bit of money. Here is the last Film Short I made (before I got the 7D)